🔸 Vậy là cuối cùng sau khi bị thổi bay bởi màn trình diễn âm thanh của chiếc tai nghe gaming G230 đến từ Logitech, tôi cũng đã trở lại! Và lần trở lại này của tôi có sự góp mặt của một sản phẩm khác đến từ Logitech, đó chính là phiên bản 7.1 của G230 mang tên gọi Logitech G430 Surround Sound Gaming Headset.  🔸 Tai nghe gaming Logitech G430 được thiết kế bằng chất liệu nhựa đen. Cùng với màu xanh quen thuộc của Logitech. Rõ ràng có thể thấy ở phiên bản tai nghe này, Logitech không tiếp tục theo đuổi mô tuýp gợi cảm với tông màu đen đỏ như ở G230 mà quyết định trở về với bản thể xanh đen tạo nên tên tuổi. 🔸 Đứa con của Logitech này có kích thước khoảng 184.15 x 196,85 x 88,9 mm, nặng khoảng 255.15g với chiếc đai đầu có thể chỉnh cho vừa khít với đầu cùng tấm nệm có chất liệu giống với đệm tai ở earcup. Tấm đệm tai ở earcup hoàn toàn có thể tháo rời dễ dàng, trong trường hợp bạn muốn vệ sinh tấm đệm này. Khi tháo tấm đệm này ra tôi chợt nghĩ nếu có thêm nhiều màu khác thì sẽ hấp dẫn hơn rất nhiều. 🔸 Nhờ vào thiết kế gọn nhẹ cùng chất liệu của miếng đệm tai nghe mà và việc sử dụng G430 trở nên thoải mái vô cùng. Chất liệu vải thể thao được sử dụng trên tai nghe G430 giúp cho game thủ dù đeo lâu cũng không cảm thấy nóng tai hay nặng đầu, có thể nhanh chóng quên đi rằng mình vừa đeo tai nghe suốt nhiều giờ đồng hồ. The specific connection interface provided in the headphones. At the same time, some models may provide several options at once - these are either combined devices (see "Type of connection"), or wired headphones equipped with additional adapters or replaceable cables, or wireless devices connected via a radio channel or infrared port (in the latter case the characteristics additionally specify the method of connecting the complete adapter). - micro-Jack (2.5 mm). A wired connector similar to the popular 3.5mm mini-Jack (see below), but smaller. Equipment with such a connection is rare - mostly these are miniature devices, where there is simply no room for a 3.5 mm jack. Accordingly, this interface has not received distribution among headphones either: it is almost never found in its pure form, models with such a plug are usually supplemented with an adapter or cable for mini-Jack. - mini-Jack(3.5 mm). Perhaps the most popular modern type of audio connector; if a device has a headphone output, it is most likely a 3.5 mm jack. Accordingly, most headphones with a wired connection use this type of connector. It is worth noting that headphones with a microphone designed for such a connection are equipped with a special plug for a combined headphone + microphone audio jack (such connectors are popular in portable gadgets and laptops). But with a socket designed only for “ears” without a microphone, such a plug may not work...correctly. An alternative would be headphones equipped with two separate mini-jack plugs; see below for more details on this option. - mini-Jack (2 x 3.5 mm). Models with two 3.5 mm mini-jack plugs. This option is guaranteed to mean that we are not talking about classic headphones, but about a headset with a microphone: one plug is used for headphones, the second for a microphone. Such models are convenient when used with equipment that has separate 3.5 mm jacks for “ears” and a microphone - for example, for a PC. - Pentaconn (4.4 mm). It is a 5-pin balanced output. Pentaconn uses a larger than the mini-Jack plug, its size is 4.4 mm, it is stronger and more reliable than the 3.5 mm connection. The Pentaconn's balanced connection makes it possible to handle higher power audio signals. Thanks to this connection, it is possible to transmit a signal over a fairly long distance. Accordingly, such a connector is relevant for headphones of the highest category. - Jack (6.35 mm). The largest type of Jack type audio connector found in modern technology. Outputs of this type are found mainly in stationary audio equipment - they are too bulky for portable devices, it is easier to use a 3.5 mm mini-jack there. At the same time, a 6.35 mm jack is considered to be a more suitable interface for professional and audiophile-class equipment: it provides a more reliable connection, greater contact density and, accordingly, less likelihood of interference. Therefore, although relatively few headphones are equipped with their own Jack type connector (mostly premium solutions), many models with a 3.5 mm mini-Jack plug are equipped with a 6.35 mm adapter. — XLR. A characteristic round connector with a lock-lock and 3 contacts (there are other options in quantity). As a rule, it is used to transmit an analog signal through a balanced connection. This connection provides high resistance to interference, typical for professional applications; at the same time, the plug itself has rather large dimensions. In view of all this, the presence of XLR is relevant mainly for headphones designed for use with advanced stationary equipment. — Bluetooth. The most popular wireless connection option in today's headphones. This is due to the fact that built-in Bluetooth modules are available in almost any modern smartphone, tablet or laptop, and appropriate adapters can be produced for devices without this module (for example, a PC). True, the sound quality with a traditional Bluetooth connection is relatively low, but special technologies such as aptX and aptxHD are increasingly being used to remedy the situation (see "Codec Support"). It is also worth noting that Bluetooth modules can correspond to different versions (the latest for 2022 is Bluetooth 5.0, Bluetooth 5.1, Bluetooth 5.2 and Bluetooth 5.3) this moment does not affect the sound quality, however, it determines a number of additional nuances - the range and reliability of communication, the ability to work through walls and other obstacles, resistance to interference, etc. In modern "ears" you can find the following versions of Bluetooth:
- IR channel. Another method of wireless connection, a feature of which is that it does not use radio waves, but infrared radiation. Theoretically, the advantage of such a connection is resistance to electromagnetic interference, the disadvantage is that it only works in the line of sight. In practice, the situation is such that in most cases it is easier to use Bluetooth or a radio channel for a wireless connection. So this option is found only in specialized devices for equipment equipped with its own IR outputs - in particular, among headphones for car monitors. — USB A. Wired connection to a standard (full dimensions) USB connector. This option is found exclusively among headphones designed for computers / laptops or gaming consoles. One of its advantages is that sound via USB is transmitted digitally and is processed not by the computer's audio card, but by the built-in headphone converter; such a converter often provides better sound quality than the said audio card. In addition, multi-channel audio can be transmitted via a USB connection - this point will be especially appreciated by gamers. Another advantage is that when using USB-headphones, specialized audio outputs remain free, and you can connect other equipment to them - for example, computer speakers or a vibrocap. — USB-C. A relatively new type of USB connector, used in both desktop computers and portable devices - as the heir to microUSB. It does not differ much in dimensions, but it has a more advanced design - in particular, it is made double-sided, which makes it easier to connect. Most often complemented by other connection options (they can be both wired and wireless). — Lightning. A universal connector used in Apple portable equipment - iPhone smartphones and iPad tablets - since 2012. Not used by other manufacturers. Accordingly, models with such an interface are designed specifically for "apple" technology (primarily iPhone and iPod touch players). This type of connection is especially relevant given the fact that in the latest iPhones, the manufacturer has completely abandoned a separate audio output, and the only way to connect headphones is the Lightning port. - Corporate outlet. A connection connector that is not related to generally accepted standards and is used to a limited extent in the equipment of one or more manufacturers. Such connectors are found mainly among headphones for mobile phones. However, in connection with the general standardization, this option has practically disappeared from the scene. Theoretically, the proprietary connector is also the Lightning described above, but it is separated into a separate category due to the popularity of Apple technology. The length of the cable supplied with the headphones with the appropriate connectivity. The optimal cable length depends on the planned format of the "ears". So, for pocket gadgets, 1 metre or less is often enough, for a computer it is already desirable to have a wire for 1 – 2 m, and preferably 2 – 3 m. And models with a longer cable length — 3 – 5 m or even more — are mainly designed for specific tasks, such as connecting to a TV or using in recording studios. Recall that in some models the cable is removable (see below) and can be replaced if necessary with a longer or shorter one. Also note that there are extension cables that allow you to increase the length of the main wire; such a cable may even be included in the delivery, this point (and the length of the additional cable) is usually specified in the notes. The audio format supported by the headphones. — Stereo. Two-channel sound that allows you to create a surround sound effect to a certain extent (due to the difference in the right and left channels). The design of the headphones (two speakers, one for each ear) was originally “sharpened” specifically for stereo, so the vast majority of models support this particular sound format. — Mono. Single-channel sound that does not create a surround effect. This marking means that this model is equipped with one earpiece ; At the same time, there are two types of such devices on the market. The first is headphones that initially have only one cup and are designed for situations where the second ear needs to be left open (for example, to work on the phone in the office). The second is true wireless devices (see Cable Type), sold singly to replace a lost earphone from the original pair. — 5.1. Originally, 5.1 was designed to create surround sound that can come from any direction ("surround"). It assumes the presence of 5 main channels (centre, front left / right, rear left / right) and one bass. In headphones, the effect of this sound is achieved through the use of several speakers in each cup. Such models are very convenient when watching movies with multi-channel sound, as well as in games — they provide a powerful immersive effect. On the other hand, such headphones are not cheap, and besides, they require a spec...ific connection method (for example, via USB). — 5.1 (virtual). Models with support for 5.1 surround sound (see above), in which the surround effect is achieved not due to the number of speakers, but due to special sound processing technologies. This somewhat reduces the accuracy compared to the "non-virtual" multi-channel, but it can significantly reduce the cost and weight of the headphones. However, there can also be several speakers in such models — for example, for separation by frequency. — 7.1. The 7.1 format is the multi-channel 5.1 described above, supplemented by two more main channels. The localization of these channels depends on the specific variety of 7.1, but anyway they enhance the effect of volume. On the other hand, full support for this format significantly affects the dimensions, weight and price of the headphones, and content with 7.1 sound is produced much less than 5.1. — 7.1 (virtual). A “virtual” version of the 7.1 format described above, in which the effect of surround sound is provided primarily through special signal processing, and not due to the presence of separate emitters for each channel. Similar to virtual 5.1, this format of operation somewhat reduces the reliability of the sound, but this difference is often imperceptible, and the headphones themselves turn out to be simpler and more inexpensive. Therefore, most modern 7.1 models support the virtual format of this sound. — 9.1 (virtual). Further development of the idea of multi-channel sound: 5 channels, as in 5.1 (see above), supplemented by 4 more channels for more accurate localization of audible sound. As in other virtual formats, volume in this case is provided by special processing algorithms. It is worth remembering that the actual sound will depend not only on the headphones, but also on the signal source: for example, a mono recording even in 9.1 “ears” will not become voluminous. — 3D sound. Surround sound with the localization of sound sources in three-dimensional space allows you to deeply plunge into the atmosphere of films or immerse yourself in a virtual game world. The mechanics of spatial 3D-sound provides localization of sound sources around the listener and in the vertical scan plane. Algorithms for implementing 3D sound in headphones differ in terms of software and hardware support, but all of them are aimed at achieving the effect of realism of what is happening. Surround sound has long been the standard for movies, and in recent years, 3D sound has become increasingly common in games and music tracks. An external sound card is included with the headphones. An external sound card is usually a kind of adapter connected to the USB port of a computer or laptop and equipped with standard audio outputs (usually of the 3.5 mm mini-Jack type). In fact, this is an external digital-to-analogue converter (DAC), created specifically for a specific model of headphones. This feature is found mainly in two types of headphones — gaming and office (see "Purpose"). In the first case, the purpose of an external DAC is, first of all, to provide high-quality sound with the maximum immersive effect (a PC / laptop's own audio card is far from always able to cope with this task). In addition, a separate sound card can come in handy if your computer's own audio outputs are busy or not available at all. As for office models, they use external converters mainly to simplify work with special software or equipment for telephony. Note that in both cases, external sound cards often also perform the functions of remote controls — for this they are equipped with keys or other controls (sensors, wheels, etc.). The total weight of the headphones; for true wireless models (see "Cable Type"), the weight of each individual earbud is listed. This parameter is directly related to the design (see above) and some features of the functionality. Thus, the mentioned true wireless devices are very light, their weight does not exceed 25 g. More traditional in-ears and in-ears can be noticeably heavier, up to 50g for in-ears and up to 100g for most in-ears. Overhead models, for the most part, are quite massive: among them there are many models weighing 200 – 250 g, 250 – 300 g and even more than 300 g. It should be noted that a significant weight for false ears is often not a disadvantage, but an advantage: it allows them to stay on the head more securely, creates an impression of solidity and reliability, and most often does not create significant inconvenience. |
